博物馆，是一个具有地方特色的精神堡垒。明亮的色彩和简约的线条图形，使得品牌设计的视觉效果具有强烈的冲击力和感召力。也具有鲜明的时代感。
博物馆作为文化和艺术的载体，不同于商业品牌，但为作一种特殊的媒介，同样具有品牌传播的共性。所以它的LOGO设计、VI设计、视觉设计同样具有品牌美学的指导性。作为主要的灵感，品牌设计我们寻求重新解释报纸使用的美学，无论是编辑设计和品牌的其他元素，但以更加实用和引人注目的方式。
该套品牌VI设计作品使用不同的排版是平衡的，标志的字体表示力量和现代性，是友好的，激发信心和坚定。这种品牌设计语言才具有一定的爆发力。
这是我努力理解和解释法律强迫妇女的经验或个人信仰来掩饰他们的身体的方式,使他们在男性的眼中无性。这绝不意味着作为一种生活方式的批判和文化形式。相反,它是一个表示我自己的努力调和女性的基因和生物形态的普遍性的实例,形象是社会改变了。这一群雕塑之一我调查女性的这种关系到它的社会意义。在我看来,这是所有关于我们感知的“邻居”,在他们的核心,就像我们但谁,由于文化和环境,有可能获得我们让他们陌生人的行为模式。
This is my effort to understand and interpret the experience of women compelled by law or personal faith to conceal their bodies in such a way as to render them sexless in the eyes of their male counterparts. This is in no way meant as a critique of a lifestyle or cultural form. Instead, it is a representation of my own effort to reconcile the genetic and biomorphic universality of the female with the instances in which that image is transformed by society. This one of a group of sculptures in which I investigate this relationship of the female form to its social meaning. This, it seems to me, is all about our perception of “neighbors” who are, at their core, just like us but who, by virtue of culture and environment, may have acquired behavior patterns which make them strangers to us.
The Burka
The Burka
The Burka
The Burka
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